Plans for the Future

Like many of you, I suspect, I come up with at least a few intriguing ideas every week for things I could do with my life, or things On The Premises could do, and so forth. These ideas would all require significant time to pursue, so even if I had just won the Powerball Lottery and never needed to work again or something, there’s no way I could do even 10% of these ideas in a typical human lifespan, especially one that’s approaching the “probably half over” mark and which could end at any time for any number of random reasons.

I’ve also been convinced, though, that publicly announcing and/or writing down goals makes them more serious and more likely to be at least attempted. So here are some goals for
On The Premises, and I’ll be reporting progress on them in future issues and in newsletters.

1) Become an Amazon.com affiliate.

I’d like to have a section of the website that links to books and other resources on Amazon, but only if I personally trust those books and resources. When I recommend a book of short stories or a book on writing or something, I want to be able to give a URL that lets you buy it, and I’d like that URL to have our name in it somewhere.

2) Work out some kind of partnership with
Narrative magazine.

I have strongly mixed feelings about
Narrative. I’m not alone in thinking that they publish the highest quality on-line fiction today, but that’s because they resolutely stick to the best and (justifiably) most famous short story writers. Yet they claim to represent “emerging writers,” too.

No, they don’t. They represent writers who have had three or four stories published already, who just finished a prestigious MFA program, and/or who just won a grant to continue writing fiction. I’ve got news for you: if you just got an MFA from the Iowa Writer’s Workshop and a grant to spend the next six months writing fiction, then to me, you’re not “emerging,” you’ve already emerged.

On The Premises and other minor-league magazines are where you can find my definition of emerging writers. I bet we’ve already published authors who have decided the writing life isn’t for them and haven’t written since, or decided that writing will be a hobby, not a career. But those people can write good stories, too! Narrative ignores writers like that. We don’t. But rather than start a flame war, maybe Narrative and OTP could work together somehow.

It’s worth looking into.

I have other ideas, and I’m willing to listen to yours, too, so send them to
Feedback@OnThePremises.com. In the meantime, please enjoy this issue.

Keep writing and keep reading,

Tarl Roger Kudrick
co-publisher of
On The Premises magazine